If you've just received your doctorate in entomology from UC Davis, how can your family help you celebrate?

If you're the kin of Emily Bick, you take her to the Broadway stage musical, Beetlejuice, in New York City. They knew she'd be interested because (1) she's an entomologist (2) she enjoys entomology-themed shows and (3) she previously reviewed another play, “An Entomologist's Love Story,” which Entomological Society of America (ESA) published on its Entomology Today website. That piece drew rave reviews.

So, in keeping with her newly acquired “entomological theater critic credentials,” Bick reviewed Beetlejuice. Entomology Today published her piece today (Sept. 20.)

“I entered the experience knowing little about the shop but with high hopes for its entomological potential since its name appeared to reference Order Coleoptera's common name,” wrote Bick, an agricultural entomologist who will begin a postdoctoral position at the University of Copenhagen this fall.

She began with: “Like a caterpillar recently exposed to juvenile hormone, the insect-themed potential for the musical Beetlejuice was high but never quite metamorphosized.”

Bick noted there were several entomological references, including “two Scarabaeidae camouflaged within the black and white stripes” on the playbook cover.

“While writers opted for entomology appropriate spelling in both the title and song, the stage curtain listed the name as Betelgeuse,” she wrote. “This entomologically named character mentions a few throw away references to insects including describing his alarming goal of house haunting—by saying ‘frightened as a fly.'”

One character “was threatened with having teeth transformed into scorpions—an arthropod but not an insect,” Bick pointed out. “The demon-transformed house was decorated with chairs the spitting image of Tortoise beetle larvae (Coleoptera: Chrysomelidae, tribe: Cassidini) and a statue that reminded me of many immature Lepidopterans.”

“However, insect references were always used to enhance the macabre theme, rather than as an independent topic. The musical was about death, a subject of which insects have a long association with. This association is likely due to the progression of insect colonization on an animal corpse—a process so predictable, forensic entomology is often used to determine the time of death of the recently deceased. Their correlation was expanded in the era of sideshows which featured insects as bizarre. I found myself wistfully thinking of all the places insects could be used (e.g., every reference to decomposing), rather than simply propping up the ghoulish atmosphere.”

Although the show lacked insect credibility, she found the show incredible. “It was hilarious, clever, attuned to the times, and visually stunning, and the ‘goth' character Lydia (played by 18-year-old Sophia Anne Caruso) completely stole the show. Yet, judged on entomological criterion, Beetlejuice fell short of its potential.”

The Broadway stage musical is based on the film, Beetlejuice, the 1988 American fantasy-comedy-horror film directed by Tim Burton (Pee Wee's Big Adventure). It is about "a deceased couple who try to haunt the new inhabitants of their former home and call for help from a devious bio-exorcist ghost named Betelgeuse (pronounced "Beetlejuice"), who is summoned by saying his name three times," according to Wikipedia.

Bick holds three degrees in entomology: a bachelor's degree from Cornell University, Ithaca, N.Y., and a master's degree  and doctorate from UC Davis. She is a Board Certified Entomologist (with specialties in plant-insect and medical and veterinary entomology), awarded by ESA. While at UC Davis, she was active in the Linnaean Games and helped two teams win national championships. ESA describes the Linnaean Games as "a lively question-and-answer, college bowl-style competition on entomological facts played between university-sponsored student teams."

(Entomologist-theatre critic Bick may be reached at enb@plen.ku.dk.)